Fiction, Reviews

Reuben Sachs by Amy Levy (1888)

I bought this book about three years ago in the lovely Persephone bookshop in London, and for some reason have only now got around to reading it. As a rule I love Persephone books and am keen to read more of them. I hadn’t heard anything about Amy Levy, or Reuben Sachs, when I found the book in the shop, but gave it a go based on the blurb and the first page. It is what I would describe as a quite gentle society novel about a young man and his extended family – and as the preface by Julia Neuberger points out, it is also about being Jewish, in London, at the end of the nineteenth century. Levy was Jewish and, has Neuberger explains, had somewhat mixed feelings about this, and was acutely aware of the snobbishness and hierarchy that she observed in the London community.  This is shown throughout the novel in the differing opinions of the Jewish characters, and their approach to life in ‘the Community’.


While Reuben and the character of Judith Quixano are at the centre of the book, their extended families move around them throughout, organising dinners and parties, and having conversations that seem light-hearted but often underlie more serious issues. Each is given a general standpoint, a perspective from which to comment on their shared life and that of their Community. I have to admit that if I hadn’t read the preface first I’m not sure I would have been aware of the more nuanced social commentary throughout Reuben Sachs, so casually is it thrown into the dialogue. I did, however, appreciate Levy’s gentle sarcasm and irony in this novel, and her wit plays a great role in showing the reader the ridiculousness of some of her lesser characters, such as the Jewish convert Bertie Harrison-Lee. He holds a unique position among the characters of the novel and is seen as something of a curiosity, and a person about whom almost everyone feels the need to make a comment. He becomes a friend of Reuben and in that way ingratiates himself to the five intertwining families who make up the cast.


And now to the character of Reuben himself: the novel starts with a sweeping introduction, telling us about his success in school and his early life, and the fact that bad health had taken him abroad for some time just before the start of the novel and he has now returned. We also learn that he is a lawyer with political aspirations; but beyond that, even in moments where free indirect speech allows us a glimpse into his mind, I did not feel that I got to know Reuben Sachs. He is a well-drawn character in that we see him from the viewpoints others and one can get a good overall impression, but I did not feel that his personality and character were really explored and developed all that much. Aside from his love for Judith we do not see much of his emotions. I feel like we see more of the emotions of even one of the lesser characters, Judith’s cousin Leo, than we do of Reuben’s.

Judith meanwhile is much more open to the reader. We spend a few scenes alone with her and go through various emotions and feelings, towards several different people and her own position in life. She is a ward of the Leunigers, her cousins, and her unusual social position is well explored – the Quixanos are higher up in the hierarchy of the Community, being Sephardic Jews, but they have fallen on hard times and are forced to send Judith to live with her more ordinary cousins. Personally I found Judith to the most interesting and well-rounded character in the novel, and I liked her a lot. She seems to see the faint ridiculousness of the Leunigers more than anyone else, with their obsessive materialism and dislike of books. We also see Reuben through her eyes quite often, which helps to round out his character – a little.

At only 148 pages Reuben Sachs is quite a quick and unchallenging read, but I very much enjoyed it. It is ultimately a very pleasant book with pleasing social scenes and family drama, as well as an underlying love story, and the politics of the Jewish Community peppered throughout. It is a novel that deserves to be preserved by Persephone Books and to be discovered by a new readership. I think I shall have to go and read more of Amy Levy’s work.


Originally published in 1888; I read the 2007 Persephone Books edition (pictured above).

Fiction, Reviews

In Which I Finally Read The Handmaid’s Tale

There are always books that one means to read, that ‘should’ be read – and for me one of them was The Handmaid’s Tale. It was published before I was even born, so it has always been popular, always been revered in my experience. This book was always on my list, always something I thought I should read, something that I might find interesting. The new TV series based on the book, coming out later this year, finally pushed me to buy a copy and actually read it.

I was surprised how short it is (my copy is about 300 pages). When I’d read about it before it had always seemed like this grand story that needed time and patience; and in some ways this was true. For a book of its length, there is an awful lot of ‘content’ in The Handmaid’s Tale. There is an awful lot left unsaid, or only implied. Our narrator, Offred, shares her story but is also careful and guarded, only telling what she chooses. We never learn her real name, for example. The ending is also somewhat ambiguous.


Margaret Atwood apparently classes this novel as ‘speculative fiction’ rather than ‘science fiction’ and I think that’s correct. It is a dystopian novel above anything else, an alternative history of America. But like science fiction it is very detailed and ‘high concept’ with a lot of context needed to really understand what’s going on. Offred gives this to us in pieces so that at first we are lost and following her blindly, but as the book goes on we get more of the wider picture and start to form our own opinions. This was also my experience with the other Atwood novel I’ve read, Alias Grace. That novel has a multitude of perspectives and truths, and while The Handmaid’s Tale is not quite so psychological, it is multi-faceted and filled with the possibility of deceit and betrayal – amongst the characters, but also for the reader.

Atwood likes to challenge her readers, and this novel was certainly challenging to me. It was an infuriating mix of fascinating story, intriguing narrative technique, and utter misery and oppression, for both the characters and the reader. I can’t say I really enjoyed The Handmaid’s Tale, and it took me a while to read because sometimes I just didn’t want to hear about the nightmarish world that Offred inhabits. During my breaks between reading I wondered whether the book seemed like a feminist novel to me, and in some ways it does – it is about women fighting back. But it also isn’t. Women have been complicit in creating the Republic of Gilead. You wonder what the Wives, Aunts, Econowives, and Marthas really think about the way they live – they have a better deal than the Handmaids, but they are still trapped, and any power or agency they have has been given to them by the men.

I also wondered whether the book is trying to make a statement about religion, or rather when you reduce religion to its fundamentalist principles and then use those for your own gain – on a personal or national level. The Republic of Gilead is ruled by religion, but none of the characters we encounter seem very concerned with it in any form except one of authority. Do any of them really believe in God? Offred mentions ‘true believers’ but they seem few and far between.

One thing that frustrated me was the lack of detail about the rules, and how things became this way – but I suppose that is the point. Offred only tells us what she wants to, and she is clearly traumatised by the whole situation and what she has gone through before – thankfully we do learn about her past throughout the novel. I think this is also just me as a reader – some people are happy with ambiguity in a novel, and others are not. For me, it felt like there was so much more that could have been explored, and while I appreciate that Atwood chose to be ambiguous in order to leave open possibilities, and to encourage the reader to speculate, I didn’t really like this side of The Handmaid’s Tale. At the end I felt unsatisfied, and wished there was more discussion, more investigation. Everything was just so vague and uncertain. I know a lot of people love this book, but it just didn’t do it for me. Atwood is a masterful writer, especially in her carefully planned plots and her manipulative narrators, but for me The Handmaid’s Tale was too frustrating, too impenetrable, too miserable, and too unpleasant for me to enjoy. Still, it’s an inspired concept and I am curious to see what the new TV adaptation will be like – although I know for certain that it won’t be any fun.


Originally published in 1985 by McClelland & Stewart. Reprinted many times, most recently by Vintage. I read the Vintage Future Classics 2005 edition (pictured above).

Purchase from Wordery and Foyles.


Fiction, Reviews

Adventures in the 7th Century: Hild by Nicola Griffith

This post is part of the official blog tour for Hild.

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As a rule I like historical fiction, and when I think about it a lot of the historical fiction I’ve read has been set either in the early 20th century (including several things set during World War II), or only slight before that, i.e. the 18th and 19th centuries. But here we have a novel, an ‘epic’ no less, set in the 7th century. That’s a bit more historical isn’t it?

Hild by Nicola Griffith is based on the life of St Hilda of Whitby who lived c. 614 – 680. In this novel we see Hild grow from a precocious toddler, into a child, and into a woman. Her natural connection with nature and animals, as well as her particular way of observing the world, mean that from an early age people think of her a seer and some sort of prophet. Her father is the nephew of Edwin, King of Northumbria, and in her position as both the king’s niece and seer, she experiences the trials and tribulations of the court firsthand.

As the novel goes on, she becomes increasingly aware of the fact that as a member of the court, and especially as someone perceived to have some sort of power, she is constantly observed. At times this gives her confidence and authority, but at others it makes her tired and desperate for a ‘normal’ life. By her late teens she is known all over the north of England (and possibly the rest of mainland Britain) as someone who has visions, has the ear of the king, and could either kill you or make you part of her household. She is also quite tall for a girl and more than once is compared to a totem, which would also have given her an edge of power.

I say ‘would’. Though Hild was a real person, Nicola Griffith has been open about the fact that she had to invent the intricacies of her life*. Our only source about Hild is Bede, who writes mostly about her role in the Church (which came later). So, Griffith had to fill in the gaps in Hild’s life with her knowledge of the 7th century and of Edwin’s court (or at least how a court would have operated at the time). As the story is set so far into the past – 1400 years! – I think even the biggest stalwart for accuracy could forgive some creative licence here. While reading I did not think about this at all, as I was just enjoying the book so much and adored spending time with Hild, in her world.

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Worldbuilding is something usually associated with science fiction and fantasy, but it plays a very important role here too. For though Hild is set in our world, it is a totally different version of it, and it exists separate from us. It is Britain, but there is no government, no method of long-distance communication other than sending a messenger, and the notion of being ‘British’ means something entirely different. At this point England does not really exist, not as we know it anyway. In this sense it is alien, but to know that we came after this creates a deep connection to this period of history, in this book. The people in 7th century Britain are warriors, priests, housewives and servants – they were ‘us’ before we were. They are where we come from. Whether or not this is historically accurate I don’t know, but it’s how the book made me feel. The world that is created is entirely vivid and three-dimensional. It is a warm, visceral world in which life feels extremely real – and the same goes for the characters.

I was completely fascinated by Hild, partly because she was a real person but also because the character is so well developed. I was in awe of her for the entirety of the novel and willed her to succeed and survive, and be happy. I loved her relationships with Begu and Cian, as well as the complexity of her relationship with Gwladus.

In the early parts of the novel when Hild is very young, there is quite a dreamlike feeling to the text, which reminded me of Old English stories like ‘Gawain and the Green Knight’. Dreams were an important part of Hild’s reputation as a seer, a reputation that came from her mother’s dream, before Hild was born, of having a child that would be ‘the light of the world’. But as Hild gets older and more involved with court life, the book feels more and more real and believable in that sense. In the last third, without giving anything away, there is a quite a lot of drama and action, and Hild’s life begins to change, as do her relationships and her role in society. We inhabit the world of the novel with her and see things as she does, but there are also some incredible moments when we see her from someone else’s perspective – as this strange tall girl with so much mystery around her, someone they are slightly afraid of and don’t quite understand. She is a mystery to all but a few and has a very interesting role and status within society, as she is part of the court and related to the King, but her position depends upon her ability to ‘get things right’ and correctly ‘see’ what will happen. She is safe as long as she says what Edwin wants to hear.

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A question that was in the back of my mind throughout the novel, and that came to the forefront once I had finished it, was how to connect the Hild of the novel to the figure of St Hilda that we are aware of today. Hild is born into a pagan world where omens from birds and prayers to Woden govern people’s spirituality – a world connected to nature and things you could see and feel. And Hild herself is declared to be a seer, a prophet – something that doesn’t quite fit in with our image of Christianity.

In the 600s Christianity was still new to Britain, and was regarded as something strange and difficult to understand – which in turn is strange to us now, we who live in a world molded by the spread of Christianity. It is a religion that is not only known to us but one that has shaped the history and identity of our little Kingdom. So what would it be like to live in a world where Christianity is new and alien? Where its rituals and rules don’t seem to make sense, and where most people have no concept of sin or Satan? This is one of the most fascinating and brilliant elements of the novel, as we look back with our modern knowledge on these newly converted Christians still referring to ‘the Christ god’ and asking to be reminded what a sin is supposed to be. In a way I envy their freedom from our world that is still so governed by the rules and beliefs of organised religion. They have not experienced Catholic guilt, or disputes between denominations that lead to war, or rules that try to control how we live, who we love, and when and how we love them. Some readers have commented on the fact that Hild is attracted to both men and women, and asked questions about how this would have been perceived in her lifetime. Though it might have existed, in the novel we hear no objections to her being with women – though at one point she wonders if the Church will eventuallly try to control our personal lives. She dismisses the notion as irrelevant, but I couldn’t help feeling a sense of dread, knowing the later, and still current, opinions of the Church on how you conduct your personal life, and the effects and consequences that these rules can have. Just look at how religion influences abortion and birth control laws, and the investigation into the mother and baby homes run by the Church in Ireland. I was glad for Hild that she lived in her world.

In the end of course, she became a saint. As a teenager she was baptised with the rest of Edwin’s court, but by the end of the novel – at which point she must be in her late teens – she has not yet entirely dedicated herself to her new religion. Bede’s account states that she joined the Church officially in her early thirties, becoming a nun and going on to become Abbess of her own convent, for which she is known today. I would love to learn more of her path from being a newly baptised, still-quite-pagan teenager, into an Abbess and a saint.

Luckily, Nicola Griffith is already writing about the next stages of Hild’s life – so we may hear about how her role and her beliefs progressed, in some form. Of course we can only speculate, but if doing that produces such wonderful work as Hild, then I am all for it. As you can see I loved reading Hild, and I would recommend it to anyone interested in the period, or the Medieval world, or indeed anyone who enjoys fantasy as it has some common elements. It is a very rich book, filled with life and passion, and humanity in all its glory and all its flaws. It is over 500 pages and took me a while to read, but I enjoyed languishing in Hild’s world and accompanying her on her journey. Don’t be put off by the length or the ‘seriousness’ of it – Hild is well worth the effort.

Published in the UK by Blackfriars Books on 24th July 2014. My copy as kindly provided by the publisher for review.

*You can read more about Nicola’s research and writing process on her blog. If you have a copy of Hild the Afterword also documents Nicola’s journey with Hild.

I also recommend this review of Hild over at She Reads Novels.