Category: Fiction

All the Good Things by Clare Fisher

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Viking UK cover (image: goodreads.com)

This novel was one of four that I accepted for review from Viking, and it was the one I was least sure about. I liked the initial premise, the question of whether doing a bad thing makes you a bad person, and I am always intrigued by debut novels. Not knowing much more than that, I dived in.

All the Good Things is a short book that packs a lot of punch. Our narrator Bethany is only twenty-one but she has had a very eventful and challenging life, and is in prison at the start of the book. The frame of the novel is a task set by Bethany’s counsellor to list all the good things in her life (hence the title!) and each chapter is what she writes about each of these. They range from ‘Smelling a baby’s head right into your heart’ to ‘The promise of a blank page’ and many more in between. Early on we learn that Bethany had a child, and that she loves running, and that she grew up in the foster care system. Her father is absent and her mother suffers from increasingly bad mental health, and so she is put into foster care. The Penguin website states that author Clare Fisher is interested in ‘social exclusion and the particular ways in which it affects vulnerable women and girls’, and this is essentially the topic of the novel. Bethany is let down by so many people, and finds herself easily lead astray. Deprived of parental love, she grabs onto any relationship she can, even if it’s clearly not right. She becomes pregnant, and it’s sort of all down hill from there.

Bethany is very young, and the language and style is appropriate to this. Like any reader, I appreciate an immersive and believable narrative voice (like Jack in Room), but for me reading Bethany’s narrative was like reading a more grown up version of a Jacqueline Wilson novel. You can see that this is a vulnerable young person, and they are in less than ideal circumstances, and you can almost see everything that’s going to happen to them. It’s incredibly sad, and in some ways it felt like a warning or a social message – hence my comparison to Jacqueline Wilson (especially her novel Bad Girls). It’s educational for someone with no experience of the world in the novel, but it lacks a certain finesse and I felt like All the Good Things was meant to be read by someone younger than me (and I’m only 29). Now, I loved Jacqueline Wilson as a child, so I’m not trying to tear down this novel, but for me it was a little too realist, a little too bleak, and I felt like it was trying to teach me something when really I just wanted to try and enjoy the writing and the story. The things that it is trying to teach are very important, but the tough subject matter and style meant that I couldn’t just enjoy it.

I must praise Clare Fisher for her realism, her refusal to shy away from unpleasantness, and her dedication to the narrative voice. There are some really heartbreaking scenes where you just want someone to help Bethany, or for her to help herself, and these are brilliantly written. I think the ending is supposed to be hopeful, but I found that after a whole book filled with disappointment, sadness, and pain it was hard to get on board with the small glint of hope at the end. Once I reached that point I felt horribly sad for Bethany and her misfortune, and I was glad to have reached the end.

All the Good Things is a very accomplished debut novel, but ultimately I think it just wasn’t for me. But, I think a lot of readers will really enjoy it, and I must recommend it for the quality of the writing and the convincing realism.

*

Published in June 2017 by Viking, an imprint for Penguin UK. My thanks to the publisher for the review copy.

Purchase from Wordery, Foyles, and Blackwell’s.

The Witchfinder’s Sister by Beth Underdown

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I have read a couple of books about English witch trials, and the history of why they happened, so this book wasn’t entirely new ground for me – but is certainly an original take on the period the events. The Witchfinder’s Sister gives the infamous Matthew Hopkins a fictional sister in the form of Alice, our narrator. She has quite a strong narrative voice and I think you really get a sense of who she is and how she experiences things throughout the novel. For while the novel is about Matthew and his reign of terror, it is really about Alice and her side of the story.

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As Matthew’s sister Alice has an insight into his personality and some of his reasons for persecuting alleged witches with such fervour, and this exploration of their family psychology and history is well executed. Alice revisits several scenes from their childhood and adolescence, trying to get a clearer picture of Matthew’s state of mind and why he is behaving as he does. This was of looking at Matthew’s story, through the eyes of a fictional sister, was a bold choice, but author Beth Underdown creates a vivid picture throughout with excellent characterisation and imagery. I loved the way that she built up Alice’s character throughout the book and revealed more and more as time went on. We learn about Alice’s late husband, her several miscarriages, and her relationships with her parents, as well as with Matthew while they were growing up. These things all feed into her experiences in the novel, living with Matthew and feeling trapped by him, and dealing with past traumas.

One thing I particularly liked about The Witchfinder’s Sister is the depictions of the lives of the women – there is Alice, but also Matthew’s maid Grace and the cook, Mary, along with the women accused of witchcraft that appear sporadically. We see how easy it is for all these women to be persecuted in some way, both publicly and in the home, in small ways and big dramatic ways. We see how they are all trapped in some form, in ways that the men in the novel just aren’t. Matthew runs a strict household, exercising his power over the women. He is able to enact his warped sense of justice largely because he is a man and so people listen to him. His deep-seated resentments and opinions about women are a huge influence on his pursuit and persecution of alleged witches – and the men who agree with him allow these things to happen. Underdown also demonstrates how these attitudes and opinions get into the minds of women too, so that they believe that the accused really are witches, really are deserving of torture and horrific executions – and they do not fight back against false accusations and obvious injustice.

The Witchfinder’s Sister is a novel that explores a well-trodden path through new perspectives, shining a light on women’s experiences and the things that drive people to do terrible things. While imperfect it is still an excellent debut novel, and I thoroughly enjoyed it.

*

Published in March 2017 by Viking, an imprint of Penguin UK. My copy was kindly provided by the publisher for review.

Purchase from Foyles, Blackwell’s, and Wordery.

WWW Wednesday, 19th April 2017

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I’m sure you have now heard about WWW Wednesday (even I know about it), but to recap, this is what it entails – you must post about three books:

  • What you most recently finished reading
  • What you are currently reading
  • What you will read next

Here are mine!

What I recently finished reading: Young and Damned and Fair: The Life and Tragedy of Catherine Howard at the Court of Henry VIII by Gareth Russell

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This was the second biography of Catherine Howard that I have read this year, and it really was excellent. I am currently planning a blog about this and the other biography (by Josephine Wilkinson).

What I am currently reading: The Witchfinder’s Sister by Beth Underdown

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This was sent to me by Penguin for review, and I’d wanted to read it for a while. It’s an interesting take on a well-known story and historical figure (Matthew Hopkins) and so far it is very engaging. Review to come!

What I will read next: Gone: A Girl, a Violin, a Life Unstrung by Min Kym

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Another review copy from Penguin, which also looks intriguing. I love a bit of narrative non-fiction and this looks like the sort of unusual memoir that I will enjoy.

What are your WWW books?

See What I Have Done by Sarah Schmidt

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See What I Have Done is one of those books that gets an awful lot of hype and press, and often this puts me off for some reason – but in this case it is entirely deserved and I couldn’t be happier to see promos and reviews all over social media. I read a proof copy back in November and loved it instantly. The premise alone drew me in: it is the story of Lizzie Borden and the infamous murders of her father and stepmother. I love historical fiction, and I love true crime, so this  was a perfect blend of both. Lizzie Borden is a fascinating character from history that just gets under your skin. She was famously acquitted of the murders, but there remains suspicion that she was guilty, and the mysteriousness of her character is something that Schmidt uses excellently.

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Tinder Press 2017 edition (image via goodreads.com)

The book is narrated by four people: Lizzie herself, the maid Bridget, Lizzie’s sister Emma, and a man named Benjamin who gets caught up in their story. All of them are unreliable, something that becomes more and more clear the more you read. The women are all wrapped up in the strangeness of the household and the family, tortured by the strained emotions and simmering tensions. Lizzie is clearly not an easy person to live with, but she is not the only one guilty of making things difficult. The Borden family are filled with sadness and a longing for the past, for better days. Lizzie’s father, Andrew Borden, keeps all the windows and doors locked for fear of criminals, and this literal confinement only exacerbates the feeling of being trapped in their lives that all the characters seem to feel.

The women of the house are trapped in their feminine roles and their corsets, never to be free like men and do as they please. And Andrew, the only one with any real power, keeps them that way. The relationships between the women – Lizzie, Emma, Bridget, and the stepmother Abby – are quietly brilliant and acutely observed. They have no obvious reason to dislike each other, but the oppressive atmosphere in the house brings out the worst in them, even if they do not intend it. Like any family they have a few small disputes, but for the Bordens these become life-changing.

Benjamin is one of the only entirely fictional characters in the book. He turns up in their town of Fall River looking for work, and by chance meets their uncle John. Now I’ve decided not to tell exactly how Benjamin gets wrapped up with the Bordens – but suffice to say he gets quite close to them and, crucially, provides an outside view to the events of the story.

I thought both Benjamin and Bridget were excellent choices as narrators. They are both outside of the family, but still close to it, and they give us a slightly different perspective. Bridget observes the quarrels between Lizzie and her parents, and the effects of Lizzie’s moods and is the unique position of being part of the household but not part of the family, so she observes everything without always knowing what it means. The Bordens are a family full of unexpressed emotions, unfulfilled desires, and stifled arguments. Lizzie is the only one that seems to let anything out, and for this she if often treated like a child by her parents, but particularly by her father. Andrew Borden is very stuck in his ways, and is emotionally closed off and quite cold and hard towards his family, even his wife Abby. He does not deal with Lizzie’s outbursts and tantrums very well, and I think he makes her feel even more trapped and stifled than she already does.

Living in the 1800s meant that Lizzie could not have an independent life, and is stuck living in the family home. You can see why she is frustrated with her life, but she is also, frankly, quite childish and selfish, and doesn’t always see that life is sometimes hard for the rest of her family as well. She has a push-pull relationship with her sister Emma, and I think though they love each other there is also a lot of resentment and negative feelings.

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Lizzie Borden in about 1890 (image via wikipedia.com)

Schmidt excels at this sort of family psychology, and as a result the entire cast of characters feel entirely real. This is also due to the first person narratives, and the fact that all the events of the book take place over only two days. This means that everything is examined, often from multiple angles, and small events often take on more meaning. The short time frame allows Schmidt to really get inside her character’s heads and examine exactly what happened and when. I felt that the two days covered in the novel are the culmination of a lifetime of family secrets and strong emotions, of dysfunctional relationships, and unfulfilled desires. All the problems and issues within the Borden family are exemplified in those two days, and as we know the results are extreme.

As the book progresses you realise that Schmidt has a clear opinion about whether or not Lizzie is guilty, but this doesn’t ruin anything and I don’t think she is trying to influence the reader. It is still up to you to decided whether you think she really killed Andrew and Abby. She remains a mystery to this day.

Sarah Schmidt writes a wonderful blog where she often discusses her experiences of writing See What I Have Done, and tells the story of why she chose to write about Lizzie Borden. I would really recommend reading this as it helps to explain some of the reasons why Lizzie remains in the public consciousness and why she is still so fascinating.

*

Published in May 2017 by Tinder Press in the UK. I read a proof copy kindly provided by the publisher for review.

Purchase from Wordery, Foyles, and Blackwell’s.

Upcoming Reads and Reviews, April 2017

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Upcoming reviews

I am pleased to say I have finally finished reading Gareth Russell’s wonderful book about Catherine Howard, Young and Damned and Fair. It took me about a month to read, which is a long time for me, but it was so worth it. I am now planning a blog post about it in conjunction with Josephine Wilkinson’s book on Catherine that I finished in January. They are two very different books about the same woman and I think it will be really interesting to do a bit of a contrast and compare.

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I also have two other books to review that I have read this year: The Devil in the White City by Erik Larson, and Labyrinths by Catrine Clay, which is a biography of Emma Jung, wife of Carl. These were two of the most interesting books that I have read recently, and reviews of them will soon be up!

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Another review that will soon be up – it’s currently in drafts! – is See What I Have Done by Sarah Schmidt. This book has been creating rather a lot of buzz, and is out in early May. [Update: this review is now up here.]

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Upcoming reads

As for books I am about to read, there are far too many of course, but these are the ones I am most looking forward to:

Gone: A Girl, A Violin, A Life Unstrung by Min Kym

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All the Good Things by Clare Fisher

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Leopard at the Door by Jennifer McVeigh

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The Witchfinder’s Sister by Beth Underdown

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By Grand Central Station I Sat Down and Wept by Elizabeth Smart

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A Broken Mirror by Mercè Rodoreda

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The Lost City of Z by David Grann

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These are books that I actually have copies of, so they are all I am going to include for now (the first four were kindly sent to me by Penguin, and the last three were purchases). There are way more on my GoodReads TBR that I am desperate to read, but until I actually have copies of them it feels too immaterial (literally) to commit to saying I will read them soon!

So there you have it – these are the books you can look forward to hearing about here on the blog and on my Twitter feed.

Which books are you looking forward to?

The Good People by Hannah Kent

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Like many readers I loved Hannah Kent’s first novel Burial Rites (2013), so I had high expectations for The Good People. Like its predecessor it is set in the first half of the 19th century, this time in 1820s Ireland. Also like Burial Rites, it features unhappy women as its central characters.

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The blurb dedicates a paragraph each to the three central women of The Good People – Nóra, recently widowed and looking after her disabled grandson Micheál; Mary, her maid, who cares for Micheál; and Nance, the local ‘handy woman’ who has ‘the knowledge’ and serves as a healer for the village. Initially the focus is on Nóra as she grieves for her husband and struggles to take care of Micheál. We learn that his mother, Nóra’s daughter Johanna, passed away and his father brought him to Nóra because he could not care for him himself. Micheál is about four years old and before he was brought to her, Nóra had only seen him once before, at the age of two, and he was healthy. He could speak and walk – two things that he cannot do when he is brought to her.

Micheál, though four, is more like a baby and can do nothing for himself. His condition is inexplicable to his family, and theories abound as to why he is now so unwell, when once he was healthy. When the villagers come to Nóra’s house for her husband’s wake, she asks her neighbour Peg to look after her grandson – she is ashamed of him and does not want to face the stares and questions of her visitors, or their theories about him.

Initially Nóra worries that Johanna and her husband may have mistreated or neglected Micheál as he is so thin, but over time she doubts this. Slowly both Nóra and the others in the village begin to think that the child may be a changeling – not really a child at all but a fairy left in his place, while the real Micheál has been taken away by the ‘Good People’, the fairies. This was a common belief in many cultures at the time (the Wiki page is quite good) and was how people explained disability or conditions that we now understand thanks to modern science and medicine.

Nóra soon employs Mary to help her look after Micheál. She becomes more and more convinced that her grandson is a changeling and leaves Mary to care for him. The village is a place filled with old stories and beliefs, and its people are ruled by superstition and fear, as well as gossip. There is a dichotomy between their Christianity and their belief in fairies, curses, and the healing powers of herbs and old remedies. This is nicely demonstrated by the cynicism of their priest, Father Healy. He does not believe in the Good People and condemns them as pagan nonsense.

He similarly condemns Nance and her belief that she has been given knowledge by the Good People and is able to cure illnesses and ailments. There are several fascinating and challenging conversations between them as he urges her to give up her practices, and she calmly defends herself. Nance’s whole life has been filled with magic and fairies, with her mother being ‘taken’ by them, and her aunt Maggie teaching her how to use their knowledge and cures. In a series of flashbacks to Nance’s youth it becomes clear that her mother was mentally ill in some way, and Nance’s grief was eased by her new knowledge of the Good People and their ways.

As Nóra becomes more desperate she turns to Nance for help with Micheál, and this is where the story really gets interesting. It is heartbreaking to read about the boy’s suffering, and the stress of caring for him, but it gets worse as Nóra’s belief that he is not really her grandson deepens. She starts to call him ‘it’ and becomes angry when he cries. As Nóra becomes more and more hardened to the boy, Mary becomes more worried about him, and warns Nóra that even if she believes he is a changeling she should not be so cold and cruel towards him. Mary’s fear of God means that she is able to protect the boy from the worst of his grandmother’s feelings towards him.

I won’t spoil the book by writing about what happens when Micheál is taken to Nance, and what happens at the end. It is a story that is sometimes difficult to read, as we can see that Micheál is suffering – but we also see how hard it is care for him without modern conveniences and technology. Mary has the best intentions but is still worn down by sleep deprivation and the constant attention her young charge requires. The world these characters inhabit is hard and cruel, and unforgiving. Towards the end of the book you really begin to realise just how isolated they are in their rural community and how ignorant they are of the developments of science and technology. They are illiterate and exist in their own small world.

Hannah Kent sensitively portrays a certain time and a certain place in The Good People. None of the characters are portrayed as evil or bad because they believe that Micheál may be a changeling – rather they are ignorant of any other explanation for his condition and desperately want a way to make things better. They are torn between folklore and Christianity and inhabit a world that seems completely alien to us now. Some parts of the novel are heart-wrenchingly sad, and you wish you could reach in and make the characters see that what they believe simply isn’t true.

The Good People is as intense and moving as Burial Rites, and also presents a lot of moral and ethical questions, many of which are indirectly but carefully examined. As expected Hannah Kent’s writing is as lovely as ever, and the novel is immersive and engaging. I would only warn readers against the deep sadness in this book – but otherwise it is highly recommended.

*

Published in 2017 by Pan Macmillan (UK edition pictured above).

Purchase from Wordery, Foyles, and Blackwell’s.

The Ice Child by Camilla Lackberg

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I have to admit this book was an impulse purchase. In Waitrose. But I just really felt like some slightly generic crime, and The Ice Child fulfilled that wish. It is part of a series of books about Detective Patrik Hedström and his wife Erica, who is a writer, who both just happen to get caught up in wonderfully complex cases in their small Scandanavian town. In this case, a naked teenage girl suddenly appears in the road just outside of town, and is hit by a car. The car drives off, and the girl is found by Marta, out horse riding. The girl is badly wounded, and her eyes have been removed, as well as her tongue (Lackberg doesn’t spare her readers from the gruesome side of things). It turns out the girl is Victoria, a local teenager who attends the riding school owned by Marta and her husband Jonas – and who has been missing for several months.

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Patrik is part of the team investigating Victoria’s disappearance and that of several other girls in the area. His wife Erica becomes involved when an old case she is writing a book about suddenly seems to be connected to the missing girls. Add to the mix Jonas’ strange and unhappy parents, and you have a cast of characters filled with mystery and suspicion. The Ice Child is a story of life in a small town that has gone horribly wrong; of family secrets that have evolved into something much worse that any of the characters could imagine. I didn’t quite predict the ending – Lackberg manages to make it very twisty – but by the last third of the book I could see who was involved with the missing girls. It’s a fairly formulaic story with a few red herrings and a good dose of odd behaviour from several of the characters that could look suspicious. The best mystery for me was the old case the Erica is writing about – I couldn’t quite fit it together with the present day story until right at the end, which made it more entertaining, and it kept me reading!

The Ice Child isn’t the most challenging of crime novels, and I think the gruesome treatment of Victoria and the other missing girls was a bit unnecessary – the darkness of it jars with the small town setting, but not in a way that works. The gruesomeness was a bit over the top and ended up feeling a bit sensational, as the family secrets that are exposed are enough to entertain the reader and explain some of the mysteries. There were some great moments though, particularly in the examination of the roles of women as wives and mothers, and how these roles can take very different forms. The impossibility of knowing who someone really is also looms large over the events of the novel and we start to wonder if any of the characters can really be trusted. It’s a very twisty, turning story that unfolds slowly at first, and the dramatically as Patrik and Erica uncover more and more layers of truth.

I don’t read a huge amount of crime fiction so I am still working out what works for me, and I’m afraid I don’t think Camilla Lackberg is it. While I enjoyed The Ice Child it was a bit too formulaic for me, and the language was a little clunky – though of course that could be down to the translation. Either way my next crime novel will have to be something a little different and more challenging!

*

Published in the UK in 2016 by Harper.

Purchase from Wordery, Foyles, or Blackwell’s.

WWW Wednesday, 1st March 2017

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I’ve only participated in WWW Wednesday once before, and that was ages ago, so I felt like giving it another try. The idea is to post three things:

  • What you most recently finished reading
  • What you are currently reading
  • What you will read next

Hence ‘WWW’! So here goes:

What I recently finished reading: The Handmaid’s Tale by Margaret Atwood

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I read this last month after having meant to read it for years, and I’m glad I finally did. I was spurred on by the upcoming TV adaptation, and also by the fact that this mad dystopia seems oddly relevant these days, especially in the States… my review is here.

What I am currently reading: Labyrinths: Emma Jung, her Marriage to Carl, and the Early Years of Psychoanalysis by Catrine Clay

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I am almost at the end of this book and have loved it so far. I knew nothing about Emma Jung before I read it, and she has turned out to be an engaging and fascinating character. I would recommend this to anyone interested in the field and period. You can see the book on GoodReads here.

What I’m going to read next: The Good People by Hannah Kent

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I loved Hannah Kent’s first novel, Burial Rites, and so when I heard she had a new book coming out I just knew I had to read it. This one has a similarly beautiful cover, and I think it will be just as fascinating and wonderful as its predecessor. You can read more about it on GoodReads here.

So there you have it! What are you WWW Wednesday books?

In Which I Finally Read The Handmaid’s Tale

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There are always books that one means to read, that ‘should’ be read – and for me one of them was The Handmaid’s Tale. It was published before I was even born, so it has always been popular, always been revered in my experience. This book was always on my list, always something I thought I should read, something that I might find interesting. The new TV series based on the book, coming out later this year, finally pushed me to buy a copy and actually read it.

I was surprised how short it is (my copy is about 300 pages). When I’d read about it before it had always seemed like this grand story that needed time and patience; and in some ways this was true. For a book of its length, there is an awful lot of ‘content’ in The Handmaid’s Tale. There is an awful lot left unsaid, or only implied. Our narrator, Offred, shares her story but is also careful and guarded, only telling what she chooses. We never learn her real name, for example. The ending is also somewhat ambiguous.

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Margaret Atwood apparently classes this novel as ‘speculative fiction’ rather than ‘science fiction’ and I think that’s correct. It is a dystopian novel above anything else, an alternative history of America. But like science fiction it is very detailed and ‘high concept’ with a lot of context needed to really understand what’s going on. Offred gives this to us in pieces so that at first we are lost and following her blindly, but as the book goes on we get more of the wider picture and start to form our own opinions. This was also my experience with the other Atwood novel I’ve read, Alias Grace. That novel has a multitude of perspectives and truths, and while The Handmaid’s Tale is not quite so psychological, it is multi-faceted and filled with the possibility of deceit and betrayal – amongst the characters, but also for the reader.

Atwood likes to challenge her readers, and this novel was certainly challenging to me. It was an infuriating mix of fascinating story, intriguing narrative technique, and utter misery and oppression, for both the characters and the reader. I can’t say I really enjoyed The Handmaid’s Tale, and it took me a while to read because sometimes I just didn’t want to hear about the nightmarish world that Offred inhabits. During my breaks between reading I wondered whether the book seemed like a feminist novel to me, and in some ways it does – it is about women fighting back. But it also isn’t. Women have been complicit in creating the Republic of Gilead. You wonder what the Wives, Aunts, Econowives, and Marthas really think about the way they live – they have a better deal than the Handmaids, but they are still trapped, and any power or agency they have has been given to them by the men.

I also wondered whether the book is trying to make a statement about religion, or rather when you reduce religion to its fundamentalist principles and then use those for your own gain – on a personal or national level. The Republic of Gilead is ruled by religion, but none of the characters we encounter seem very concerned with it in any form except one of authority. Do any of them really believe in God? Offred mentions ‘true believers’ but they seem few and far between.

One thing that frustrated me was the lack of detail about the rules, and how things became this way – but I suppose that is the point. Offred only tells us what she wants to, and she is clearly traumatised by the whole situation and what she has gone through before – thankfully we do learn about her past throughout the novel. I think this is also just me as a reader – some people are happy with ambiguity in a novel, and others are not. For me, it felt like there was so much more that could have been explored, and while I appreciate that Atwood chose to be ambiguous in order to leave open possibilities, and to encourage the reader to speculate, I didn’t really like this side of The Handmaid’s Tale. At the end I felt unsatisfied, and wished there was more discussion, more investigation. Everything was just so vague and uncertain. I know a lot of people love this book, but it just didn’t do it for me. Atwood is a masterful writer, especially in her carefully planned plots and her manipulative narrators, but for me The Handmaid’s Tale was too frustrating, too impenetrable, too miserable, and too unpleasant for me to enjoy. Still, it’s an inspired concept and I am curious to see what the new TV adaptation will be like – although I know for certain that it won’t be any fun.

*

Originally published in 1985 by McClelland & Stewart. Reprinted many times, most recently by Vintage. I read the Vintage Future Classics 2005 edition (pictured above).

Purchase from Wordery and Foyles.

 

Looking back on the books of 2016

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This is another overdue blog post, but one that I’ve really been looking forward to writing. I read 31 books in 2016, of varying quality, but overall it was a good reading year. I tried to branch out, accepting a total of eight review copies from publishers – which is a lot for me these days. Of these the highlights for me were (links go to my reviews):

The last of these is not out until May 2017, so my review will come a little closer to the time. It was offered to me by Georgina Moore at Tinder Press and I am very glad I accepted. It is a wonderful blend of crime fiction and historical fiction based on real events, coupled with multiple narrators (all unreliable) and some really beautiful writing. In case you didn’t know, it’s about Lizzie Borden, and I loved it. You can read more here. And just look at that beautiful cover!

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(image via goodreads.com)

I read a lot of history books in 2016, both fiction and non-fiction. One other historical novel I must highlight is The Kindly Ones by Jonathan Littell. I’d been intimidated by its length (over 900 pages) but finally gave it a go earlier in the year – and I was not disappointed. It is a fictional autobiography of a former Nazi officer which the author spent five years researching, and it is one of the best novels I have ever read. Not only is it brilliantly written but it is deeply philosophical and challenging, and I greatly admire Littell for somehow managing to write it.

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I read a handful of other books about the Second World War and three of the best were written by and about women, real women of the War who faced huge challenges and trials but who remained strong and determined throughout. The first of these was Gone to Ground by Marie Jalowicz Simon. The book is a compilation of her stories (recorded on tape and put together by her son) from her time living in Berlin during the War as a Jewish woman. She lived ‘underground’, in hiding, using an alias and constantly moving. It is one of the most remarkable books I have ever read. Similarly, I also read A Woman in Berlin. It is an anonymous account of the last few months of the War by a German woman living in Berlin. She is not persecuted as Jalowicz Simon was, but her whole life is destroyed and she suffers immensely. It is a harrowing but necessary book and shows the cost of the War on ordinary German people that often gets overlooked. I read these two books close together and wrote about them in one blog post (linked above) and they have really stuck with me. I think they are vital reading for anyone considering the experience of women in Europe during the Second World War.

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Another book that fits into that category is If This is a Woman by Sarah Helm. It’s a massive book so I waited until it was out in paperback before I read it, the delay making my expectations quite high – and they were all met. It is the first book dedicated to the story of Ravensbrück, the only Nazi concentration camp built specifically for women, and it was one of the most incredible books I have ever come across. I had read If This is a Man by Primo Levi so I had some idea of what to expect; but of course each story is unique, and these women all had incredible stories. Sarah Helm is to be hugely admired and respected for telling these stories, for doing the research and making sure each name is mentioned, each life is honoured in some way. I will not soon forget this book. I should note that in America the title is simply Ravensbrück.

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Towards the end of the year I wanted to branch out from history, and so I read The Lottery and Other Stories by Shirley Jackson, which was just brilliant. I was already a fan of Jackson’s writing but I’d never actually read any of her short stories. Some of these are still quite fresh in my mind (least of all the title story) and I am desperate to read more. Luckily I was given two more volumes of her short stories for Christmas, so I have those to look forward to. These were Let Me Tell You and Dark Tales.

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The other highlights of my reading year, which I don’t have space to write more about here, were:

I have enjoyed reading other ‘best of 2016’ posts – it was a good year for books – and I look forward to a great 2017 filled with marvellous things to read. I am on my second book of the year at the moment and frankly I am dying to get back to it, so I shall finish here. Happy 2017!