Like most people, I am familiar with the term ‘mansplaining’. I’ve also heard a fair bit of excitement about Rebecca Solnit as an interesting writer. Her essay Men Explain Things to Me is the origin of the term, something I only learned seeing the word in circulation – when it first became a thing there were lots of little articles about it everywhere, and examples of when women had been mansplained to were shared across social media. It became something of a pop culture phenomenon. It’s even in the OED.
So, once I knew where the word came from, I was curious to know more. I’d heard of Rebecca Solnit a bit, so finding out more about her work certainly appealed. I’m always keen to read a bit more non-fiction, especially something like this that isn’t narrative (I read a lot of that). Plus, the Granta hardback of Men Explain Things to Me: And Other Essays is very attractive indeed, so I just had to go for it.
It’s funny to hear that something is great, and then actually experience it for yourself. There are expectations, whether they are rational or not. I expected the essay to be good, to be groundbreaking even, but I didn’t know anything about Solnit’s writing style or her narrative voice. Luckily I was pleased with both of these things – her writing is academic and formal enough to be taken seriously, and it is engaging and elegant enough to entertain and keep you turning the pages. With this essay she is writing about a cultural occurrence, but also about a personal experience. The first instance of explaining occurs at a party, with people she knows, and some she doesn’t, and it’s a wonderful example of a personal, female experience that can be translated into the wider context of our current culture and society. It must have been quite the epiphanic moment when Solnit decided to distill this experience and its relevance to women everywhere into this eloquent and succinct essay. It is a perfect translation of life into literature, and then into something bigger that permeates society.
Though the book is under 200 pages, there are six ‘Other Essays’ in this volume. They all centre around gender, feminism, equal rights, freedom. Personally I found Grandmother Spider to be the most compelling. It starts with an analysis of an untitled painting by the artist Ana Teresa Fernandez, in which a woman is obscured by the sheet which she is pegging to a washing line. The wind is blowing it against her, showing some of the shape of her body, but all we see are her hands at the top, trying to peg it down, and her feet below, jarring in their pointy high heeled shoes. This painting and others by Fernandez are printed at the start of each chapter to illustrate some point in the following essay. But this one struck me the most.
In Grandmother Spider Solnit discusses how easy it is for women to be obscured, hidden from view, made to disappear. She uses the example of family trees, where maiden names are erased, and sometimes lineages only depict the males of the family, leaving out the mothers, wives, sisters, daughters. She also writes about the war in Argentina in the 1970s and 80s, where countless people were “disappeared”, and how the mothers of the disappeared were the ones who gathered in public to protest. She writes about the Ferite a Morte (Wounded to Death) project led by the Italian actress Serena Dandini, and how they count every woman killed by a man (about 60,000 annually, worldwide) and how this can be seen as “the ultimate form of erasure, silencing, disappearance” – because most of them are killed by “lovers, husbands, former partners”.
I particularly loved the closing paragraph of this essay, summing up Solnit’s reaction to these terrible facts, to this erasure of women throughout history:
To spin the web and not be caught in it, to create the world, to create your own life, to rule your fate, to name the grandmothers as well as the fathers, to draw nets and not just straight lines, to be a maker as well as a cleaner, to be able to sing and not be silenced, to take down the veil and appear: all these are the banners on the laundry line I hang out.
If you have any interest in feminism and equality, no matter your gender, I would recommend this book. I shall certainly be reading more of Solnit’s work – in fact this afternoon I ordered a copy of her new book, The Mother of All Questions: Further Feminisms. I can’t wait to read it!
Published by Granta (UK) and Haymarket Books (US) in 2014. I read the Granta 2014 hardback edition (pictured above).