A Little Bird Told Me by Marianne Holmes (2018)

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(image: goodreads.com)

As some readers may know, I don’t accept review copies very often, as I always have too many unread books already on my shelves – but I made an exception for A Little Bird Told Me by Marianne Holmes, as it seemed intriguing. A young woman named Robyn returns to her home town, along with her brother Kit, and tries to resolve things to do with their parents, and some mysteries from their childhood. So far, so intriguing…

I tend to have mixed feelings these days about first person narrators, and Robyn did nothing to allay my concerns. She is an engaging narrator, but also infuriating in her obsessions and self-centredness. On several occasions Kit tells her to let things go, but she just can’t, to a degree that goes beyond what seems reasonable. We deduce that their mother appears to be missing, or perhaps dead, and their stepfather has decided to absent himself from this particular trip down memory lane. Few people in their home town seem pleased to see Robyn and Kit, and there are lots of hints at something bad that happened in the past, some big secret that no one wants to talk about.

The story is well constructed, but I felt that there was a little too much teasing and hinting at the truth, beyond what was needed to keep the reader interested. I think the problem occurs because we only know what Robyn knows, and we are taken down all the paths of her thought process, all the leads she pursues to find the truth, and I found it hard to care just as much she did. Robyn’s narrative takes us on a heartrending emotional journey that was somewhat draining to read. I cared about the story and characters, but in general things were too overblown, too over-emotional, too intense – when really the story is not that intense, not that pressurised. It was just that it felt that way to Robyn, because it was so personal. But to the reader, this was hard to connect with, and I felt overwhelmed by Robyn’s intensity.

As Robyn learns more about her mother, and a strange man she knew when she was younger, and how things might all be connected, information is handed to the reader piece by piece. Many things we find out as Robyn does, and so we go through the emotions with her, and this creates much of the structure of the novel. Sometimes this works, and keeps us interested, drawing us in with more revelations; but at some point in the book I realised that there was something we didn’t know, that Robyn might – that was purposefully being held back from the reader. Once I realised this, and the information was revealed, I felt conflicted – surprised and intrigued by the revelation, but frustrated that something Robyn knew was not in her first person narrative. It was an odd trick to use on the part of the author, and I’m not sure how well it worked, given that we are supposed to be on this journey with Robyn. Why else choose to use a first person narrator, and involve the reader so deeply in her emotions, if to withhold information that the narrator already knew, for a big reveal?

Despite all this I did enjoy reading A Little Bird Told Me, even if at times I had to take a break when Robyn got too overwrought. I think the story would have benefitted from a little more introspection on Robyn’s part, and a little less focus on the drama of the whole thing. I felt like the story would make a better TV series than a book in that sense. So, a bit of a mixed bag, but undeniably entertaining and engaging. If you’re here for the high drama, then A Little Bird Told Me is for you.

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Published by Agora Books in September 2018. My copy was kindly provided by the publisher for review.

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